Global USB Audio Interfaces Sales Market by Type (Amateurs, Professional), By Application (Recording Studio, Home) and Region (North America, Latin America, Europe, Asia Pacific and Middle East & Africa), Forecast To 2028
The Global Universal Serial Bus Audio Interfaces Market size is expected to grow from $3.5 billion in 2020 to $4.2 billion by 2028, at a compound annual growth rate (CAGR) of 3% during the forecast period. The North American region is projected to be the largest contributor to this market due to the high demand for USB audio interface devices among recording studios in the region.
Universal Serial Bus (USB) audio interfaces are devices that enable users to record and/or playback sound or music on computer systems. They allow the user to plug basic microphones, electric guitars, keyboards, synthesizers into a USB port for digital conversion of analog signals from these sources. In addition, they may contain additional hardware features like MIDI connectors and effects units in order to modify frequencies caused by external noises such as hissing sounds or hums due to electrical interference while recording or playing back sound files. A typical example is an audio interface with a single input; this allows one microphone-level signal through the preamp section of the unit before it goes into the converters for digitization. There can be two inputs - allowing multiple signals to be recorded at the same time.
On the basis of Type, the global universal serial bus audio interfaces market is segmented into amateurs and professionals.
Amateurs:
Amateurs type of universal serial bus audio interface is a device that can be used by those who have little to no experience in recording or mixing music. It helps the user get an idea about the basics and fundamentals of sound engineering. In this category, one may find smaller interfaces that are not very expensive but do not offer much versatility with regards to features. This results in their higher price tags when compared to professional devices for sale on the market today.
Professionals:
The professional category among USB Audio Interfaces contains devices that are used by professionals who have experience in recording and mixing music. These types of devices may be complicated, but they offer many more features that the amateur device does not provide such as multi-track recordings and mixdowns, inputs/outputs on each channel with individual volume controls, etc. This results in their higher price tags when compared to industry-standard products available today; however, this will also require an increase in production value if the producer wishes to reach a mass audience since these devices do come with increased cost overhead due primarily to the manufacturers and component parts.
On the basis of Application, the global universal serial bus audio interfaces market is segmented into recording studio applications and home applications.
Recording Studio Applications:
Universal serial bus audio interfaces are mostly used by professionals and it is one of the most important components to make a recording sound better. The main function of these devices is to convert digital signals into analog ones which will allow them to be further processed when they enter an effects chain or mixer on their way out, such as compression, equalization, reverb, delay, etc. Recording studios use USB Audio Interfaces for monitoring during multitrack recording sessions and many other tasks that require accurate listening without the distortion caused by various amounts of gain (volume) applied through different levels within the signal chain from microphone preamplifiers up until nearly any type of speaker system utilized anywhere else but inside this studio.
Home Applications:
Home applications of USB Audio Interfaces are mainly used for listening to audio devices such as turntables, synthesizers, and guitar amplifiers. It may also be utilized in a home recording studio setup with the same functions and benefits that it has within professional studios. These interfaces offer clean reproduction of sound without interference or distortion from other components on the system chain (such as an amp) which can often translate into much better sounding recordings when compared to traditional analog gear setups.
On the basis of Region, the global universal serial bus audio interfaces market is segmented into North America, Latin America, Europe, Asia Pacific, and Middle East & Africa.
The North American region is anticipated to exhibit the fastest growth rate, owing to increasing demand for USB Audio Interfaces from both amateurs and professionals. In addition, economic stability in this region will act as a catalyst for market expansion over the forecast period of 2021-2028.
Latin America has emerged as one of the key destinations for regional players expanding their distribution networks across other geographies. This leads to an increase in investments by these companies which further boosts opportunities within this geography. Furthermore, government initiatives aimed at developing infrastructure have also stimulated short-term prospects for regional growth in percentage terms during 2017 but it may not be sustainable on account of budget constraints faced by countries like Argentina and Venezuela among others.
Europe provides opportunities for regional players through expanding their distribution networks across countries within the European Union (EU). This leads to an increase in investments by these companies which further boosts prospects within this geography with respect to most other regions. Furthermore, government initiatives aimed at developing infrastructure have also stimulated short-term prospects for regional players.
Asia Pacific is anticipated to be the fastest-growing region in terms of the USB Audio Interfaces Market, owing to an increase in awareness about music and audio technologies among emerging economies such as Indonesia and India. These countries are expected to contribute significantly towards this regional growth over the forecast period from 2021 – 2028. A number of local manufacturers have also started investing heavily into production facilities for USB Audio Interfaces on account of high demand within these markets with more than half a million users estimated by 2020.
Growth Factors For The Global Universal Serial Bus Audio Interfaces Market:
The global universal serial bus audio interfaces market is experiencing a high growth rate due to the growing demand for video content, which has increased the need for simultaneous digital sound recording. Increased demand for audio-visual content and the high growth rate of smartphones. As the variety of applications increases, different requirements are demanded from an interface that meets these applications’ needs. This will lead to a rise in adoption rates among professionals who require professional interfaces with advanced features such as multiple inputs/outputs channels, digital signal processing (DSP) functionality, automatic routing options etcetera., which could be driven by factors like technological advancement and consumer preference towards home entertainment system devices that provide seamless connectivity without requiring network connections or cables. Furthermore, intense competition in the market is expected, which may lead to a rise in the prices of USB audio interfaces.
Up Market Research published a new report titled “USB Audio Interfaces Sales Market research report which is segmented by Types (Amateurs, Professional), By Applications (Recording Studio, Home), By Players/Companies Focusrite Audio Engineering Ltd., PreSonus Audio Electronics, Inc., Universal Audio, Zoom Corporation, Steinberg Media Technologies GmbH (Yamaha), Roland, Mackie (LOUD Technologies Inc.), M-Audio, Behringer (Music Group), MOTU, IK Multimedia, RME, Tascam (TEAC Corporation), ESI Audiotechnik GmbH, Lexicon, Audient”. As per the study the market is expected to grow at a CAGR of XX% in the forecast period.
Report Scope
Report Attributes | Report Details |
Report Title | USB Audio Interfaces Sales Market Research Report |
By Type | Amateurs, Professional |
By Application | Recording Studio, Home |
By Companies | Focusrite Audio Engineering Ltd., PreSonus Audio Electronics, Inc., Universal Audio, Zoom Corporation, Steinberg Media Technologies GmbH (Yamaha), Roland, Mackie (LOUD Technologies Inc.), M-Audio, Behringer (Music Group), MOTU, IK Multimedia, RME, Tascam (TEAC Corporation), ESI Audiotechnik GmbH, Lexicon, Audient |
Regions Covered | North America, Europe, APAC, Latin America, MEA |
Base Year | 2020 |
Historical Year | 2018 to 2019 (Data from 2010 can be provided as per availability) |
Forecast Year | 2028 |
Number of Pages | 202 |
Number of Tables & Figures | 142 |
Customization Available | Yes, the report can be customized as per your need. |
The report covers comprehensive data on emerging trends, market drivers, growth opportunities, and restraints that can change the market dynamics of the industry. It provides an in-depth analysis of the market segments which include products, applications, and competitor analysis.
Global USB Audio Interfaces Sales Market Report Segments:
The market is segmented by Type Amateurs, Professional and By Application Recording Studio, Home.
Some of the companies that are profiled in this report are:
- Focusrite Audio Engineering Ltd.
- PreSonus Audio Electronics, Inc.
- Universal Audio
- Zoom Corporation
- Steinberg Media Technologies GmbH (Yamaha)
- Roland
- Mackie (LOUD Technologies Inc.)
- M-Audio
- Behringer (Music Group)
- MOTU
- IK Multimedia
- RME
- Tascam (TEAC Corporation)
- ESI Audiotechnik GmbH
- Lexicon
- Audient
USB Audio Interfaces Sales Market research report delivers a close watch on leading competitors with strategic analysis, micro and macro market trend and scenarios, pricing analysis and a holistic overview of the market situations in the forecast period. It is a professional and a detailed report focusing on primary and secondary drivers, market share, leading segments and geographical analysis. Further, key players, major collaborations, merger & acquisitions along with trending innovation and business policies are reviewed in the report.
Key Benefits for Industry Participants & Stakeholders:
- Industry drivers, restraints, and opportunities covered in the study
- Neutral perspective on the market performance
- Recent industry trends and developments
- Competitive landscape & strategies of key players
- Potential & niche segments and regions exhibiting promising growth covered
- Historical, current, and projected market size, in terms of value
- In-depth analysis of the USB Audio Interfaces Sales Market
Overview of the regional outlook of the USB Audio Interfaces Sales Market:
Based on region, the market is segmented into North America, Europe, Asia Pacific, Latin America and Middle East & Africa (MEA). North America region is further bifurcated into countries such as U.S., and Canada. The Europe region is further categorized into U.K., France, Germany, Italy, Spain, Russia, and Rest of Europe. Asia Pacific is further segmented into China, Japan, South Korea, India, Australia, South East Asia, and Rest of Asia Pacific. Latin America region is further segmented into Brazil, Mexico, and Rest of Latin America, and the MEA region is further divided into GCC, Turkey, South Africa, and Rest of MEA.
Highlights of The USB Audio Interfaces Sales Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of USB Audio Interfaces Sales Market.
- Historical data and forecast.
- Estimations for the forecast period 2028.
- Developments and trends in the market.
- By Type:
1. Amateurs
2. Professional
7. By Application:1. Recording Studio
2. Home
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the USB Audio Interfaces Sales Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2028.
How you may use our products:
- Correctly Positioning New Products
- Market Entry Strategies
- Business Expansion Strategies
- Consumer Insights
- Understanding Competition Scenario
- Product & Brand Management
- Channel & Customer Management
- Identifying Appropriate Advertising Appeals
Reasons to Purchase the USB Audio Interfaces Sales Market Report:
- The report includes a plethora of information such as market dynamics scenario and opportunities during the forecast period
- Segments and sub-segments include quantitative, qualitative, value (USD Million,) and volume (Units Million) data.
- Regional, sub-regional, and country level data includes the demand and supply forces along with their influence on the market.
- The competitive landscape comprises share of key players, new developments, and strategies in the last three years.
- Comprehensive companies offering products, relevant financial information, recent developments, SWOT analysis, and strategies by these players.
Chapter 2 Assumptions and Acronyms Used
Chapter 3 Research Methodology
Chapter 4 USB Audio Interfaces Sales Market Overview
4.1 Introduction
4.1.1 Market Taxonomy
4.1.2 Market Definition
4.1.3 Macro-Economic Factors Impacting the Market Growth
4.2 USB Audio Interfaces Sales Market Dynamics
4.2.1 Market Drivers
4.2.2 Market Restraints
4.2.3 Market Opportunity
4.3 USB Audio Interfaces Sales Market - Supply Chain Analysis
4.3.1 List of Key Suppliers
4.3.2 List of Key Distributors
4.3.3 List of Key Consumers
4.4 Key Forces Shaping the USB Audio Interfaces Sales Market
4.4.1 Bargaining Power of Suppliers
4.4.2 Bargaining Power of Buyers
4.4.3 Threat of Substitution
4.4.4 Threat of New Entrants
4.4.5 Competitive Rivalry
4.5 Global USB Audio Interfaces Sales Market Size & Forecast, 2018-2028
4.5.1 USB Audio Interfaces Sales Market Size and Y-o-Y Growth
4.5.2 USB Audio Interfaces Sales Market Absolute $ Opportunity
Chapter 5 Global USB Audio Interfaces Sales Market Analysis and Forecast by Type
5.1 Introduction
5.1.1 Key Market Trends & Growth Opportunities by Type
5.1.2 Basis Point Share (BPS) Analysis by Type
5.1.3 Absolute $ Opportunity Assessment by Type
5.2 USB Audio Interfaces Sales Market Size Forecast by Type
5.2.1 Amateurs
5.2.2 Professional
5.3 Market Attractiveness Analysis by Type
Chapter 6 Global USB Audio Interfaces Sales Market Analysis and Forecast by Applications
6.1 Introduction
6.1.1 Key Market Trends & Growth Opportunities by Applications
6.1.2 Basis Point Share (BPS) Analysis by Applications
6.1.3 Absolute $ Opportunity Assessment by Applications
6.2 USB Audio Interfaces Sales Market Size Forecast by Applications
6.2.1 Recording Studio
6.2.2 Home
6.3 Market Attractiveness Analysis by Applications
Chapter 7 Global USB Audio Interfaces Sales Market Analysis and Forecast by Region
7.1 Introduction
7.1.1 Key Market Trends & Growth Opportunities by Region
7.1.2 Basis Point Share (BPS) Analysis by Region
7.1.3 Absolute $ Opportunity Assessment by Region
7.2 USB Audio Interfaces Sales Market Size Forecast by Region
7.2.1 North America
7.2.2 Europe
7.2.3 Asia Pacific
7.2.4 Latin America
7.2.5 Middle East & Africa (MEA)
7.3 Market Attractiveness Analysis by Region
Chapter 8 Coronavirus Disease (COVID-19) Impact
8.1 Introduction
8.2 Current & Future Impact Analysis
8.3 Economic Impact Analysis
8.4 Government Policies
8.5 Investment Scenario
Chapter 9 North America USB Audio Interfaces Sales Analysis and Forecast
9.1 Introduction
9.2 North America USB Audio Interfaces Sales Market Size Forecast by Country
9.2.1 U.S.
9.2.2 Canada
9.3 Basis Point Share (BPS) Analysis by Country
9.4 Absolute $ Opportunity Assessment by Country
9.5 Market Attractiveness Analysis by Country
9.6 North America USB Audio Interfaces Sales Market Size Forecast by Type
9.6.1 Amateurs
9.6.2 Professional
9.7 Basis Point Share (BPS) Analysis by Type
9.8 Absolute $ Opportunity Assessment by Type
9.9 Market Attractiveness Analysis by Type
9.10 North America USB Audio Interfaces Sales Market Size Forecast by Applications
9.10.1 Recording Studio
9.10.2 Home
9.11 Basis Point Share (BPS) Analysis by Applications
9.12 Absolute $ Opportunity Assessment by Applications
9.13 Market Attractiveness Analysis by Applications
Chapter 10 Europe USB Audio Interfaces Sales Analysis and Forecast
10.1 Introduction
10.2 Europe USB Audio Interfaces Sales Market Size Forecast by Country
10.2.1 Germany
10.2.2 France
10.2.3 Italy
10.2.4 U.K.
10.2.5 Spain
10.2.6 Russia
10.2.7 Rest of Europe
10.3 Basis Point Share (BPS) Analysis by Country
10.4 Absolute $ Opportunity Assessment by Country
10.5 Market Attractiveness Analysis by Country
10.6 Europe USB Audio Interfaces Sales Market Size Forecast by Type
10.6.1 Amateurs
10.6.2 Professional
10.7 Basis Point Share (BPS) Analysis by Type
10.8 Absolute $ Opportunity Assessment by Type
10.9 Market Attractiveness Analysis by Type
10.10 Europe USB Audio Interfaces Sales Market Size Forecast by Applications
10.10.1 Recording Studio
10.10.2 Home
10.11 Basis Point Share (BPS) Analysis by Applications
10.12 Absolute $ Opportunity Assessment by Applications
10.13 Market Attractiveness Analysis by Applications
Chapter 11 Asia Pacific USB Audio Interfaces Sales Analysis and Forecast
11.1 Introduction
11.2 Asia Pacific USB Audio Interfaces Sales Market Size Forecast by Country
11.2.1 China
11.2.2 Japan
11.2.3 South Korea
11.2.4 India
11.2.5 Australia
11.2.6 South East Asia (SEA)
11.2.7 Rest of Asia Pacific (APAC)
11.3 Basis Point Share (BPS) Analysis by Country
11.4 Absolute $ Opportunity Assessment by Country
11.5 Market Attractiveness Analysis by Country
11.6 Asia Pacific USB Audio Interfaces Sales Market Size Forecast by Type
11.6.1 Amateurs
11.6.2 Professional
11.7 Basis Point Share (BPS) Analysis by Type
11.8 Absolute $ Opportunity Assessment by Type
11.9 Market Attractiveness Analysis by Type
11.10 Asia Pacific USB Audio Interfaces Sales Market Size Forecast by Applications
11.10.1 Recording Studio
11.10.2 Home
11.11 Basis Point Share (BPS) Analysis by Applications
11.12 Absolute $ Opportunity Assessment by Applications
11.13 Market Attractiveness Analysis by Applications
Chapter 12 Latin America USB Audio Interfaces Sales Analysis and Forecast
12.1 Introduction
12.2 Latin America USB Audio Interfaces Sales Market Size Forecast by Country
12.2.1 Brazil
12.2.2 Mexico
12.2.3 Rest of Latin America (LATAM)
12.3 Basis Point Share (BPS) Analysis by Country
12.4 Absolute $ Opportunity Assessment by Country
12.5 Market Attractiveness Analysis by Country
12.6 Latin America USB Audio Interfaces Sales Market Size Forecast by Type
12.6.1 Amateurs
12.6.2 Professional
12.7 Basis Point Share (BPS) Analysis by Type
12.8 Absolute $ Opportunity Assessment by Type
12.9 Market Attractiveness Analysis by Type
12.10 Latin America USB Audio Interfaces Sales Market Size Forecast by Applications
12.10.1 Recording Studio
12.10.2 Home
12.11 Basis Point Share (BPS) Analysis by Applications
12.12 Absolute $ Opportunity Assessment by Applications
12.13 Market Attractiveness Analysis by Applications
Chapter 13 Middle East & Africa (MEA) USB Audio Interfaces Sales Analysis and Forecast
13.1 Introduction
13.2 Middle East & Africa (MEA) USB Audio Interfaces Sales Market Size Forecast by Country
13.2.1 Saudi Arabia
13.2.2 South Africa
13.2.3 UAE
13.2.4 Rest of Middle East & Africa (MEA)
13.3 Basis Point Share (BPS) Analysis by Country
13.4 Absolute $ Opportunity Assessment by Country
13.5 Market Attractiveness Analysis by Country
13.6 Middle East & Africa (MEA) USB Audio Interfaces Sales Market Size Forecast by Type
13.6.1 Amateurs
13.6.2 Professional
13.7 Basis Point Share (BPS) Analysis by Type
13.8 Absolute $ Opportunity Assessment by Type
13.9 Market Attractiveness Analysis by Type
13.10 Middle East & Africa (MEA) USB Audio Interfaces Sales Market Size Forecast by Applications
13.10.1 Recording Studio
13.10.2 Home
13.11 Basis Point Share (BPS) Analysis by Applications
13.12 Absolute $ Opportunity Assessment by Applications
13.13 Market Attractiveness Analysis by Applications
Chapter 14 Competition Landscape
14.1 USB Audio Interfaces Sales Market: Competitive Dashboard
14.2 Global USB Audio Interfaces Sales Market: Market Share Analysis, 2019
14.3 Company Profiles (Details – Overview, Financials, Developments, Strategy)
14.3.1 Focusrite Audio Engineering Ltd.
14.3.2 PreSonus Audio Electronics, Inc.
14.3.3 Universal Audio
14.3.4 Zoom Corporation
14.3.5 Steinberg Media Technologies GmbH (Yamaha)
14.3.6 Roland
14.3.7 Mackie (LOUD Technologies Inc.)
14.3.8 M-Audio
14.3.9 Behringer (Music Group)
14.3.10 MOTU
14.3.11 IK Multimedia
14.3.12 RME
14.3.13 Tascam (TEAC Corporation)
14.3.14 ESI Audiotechnik GmbH
14.3.15 Lexicon
14.3.16 Audient